Is it sacrilege to declare that the best-looking spectacle set in Paris was shot by a double of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French numéraire – as well as the neoclassical edifices of Mussolini’s Rome – in relax blues and shards of light as sharp https://marchenligne67890.thelateblog.com/33259136/obtenir-mon-support-client-réactif-to-work